My Blood Curry collection was published in 2011 to great reviews. Here are some:
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Blood Curry
John Irvine
Dark Continents Publishing
Dark Continents Publishing
Horror
poetry. There’s a niche subgenre if ever there was one, but there appears to be
quite a lot happening in this particular area with the arrival of three
collections in the past year.
Anomalous Appetites edited by Kiwi John Irvine is a
truly international smorgasbord of ‘fantastic’ poetry, spanning SF, fantasy,
horror and all points in between. Each poem is accompanied by an original
illustration. It was a prodigious undertaking from John and the outcome is
impressive. At times playful and self-referential, at others it is darkly
revealing.
John’s own
work has now surfaced in the deliciously titled Blood Curry, described as a, ‘collection of recipes, poems
and short stories in the speculative genre’. Again beautifully illustrated, I
can imagine the fictional Paul Haines having a copy of this next to his other
cook books. Perhaps there’s something in the New Zealand water that makes for
unsettling writing. Whatever the cause, you’ll find it here in spades.
Keith
Stevenson
Writer,
Publisher, Editor
Read
coeur de lion books — www.coeurdelion.com.au
Listen
to the Terra Incognita podcast – www.tisf.com.au
and on itunes
**
Blood Curry
by John Irvine
by John Irvine
Reviewed by Edward Cox
(600 words approx)
Food has always been a source of inspiration for
writers, especially fruit with its rich metaphors of skin and flesh and seeds,
and the juxtaposition of a healthy options diet used to explore darker themes.
With Blood Curry, John Irvine shrugs off the diet entirely, cracks open a tub
of real lard, and fries up a full English breakfast for the morning after a
night on the booze with your friends . . . that is if your friends just happen
to be creatures of nightmare whose particular tipple is poison that has been
mulled and spiced with blood.
Blood
Curry is a collection of poems and flash fiction, and each piece is as gruesome
as the next. “Compassion” is a jarring account of a mother’s ‘kindness’, while
“Grandfather” and “It’s a Dirty Job” are disturbing in their use of supposed
taboos. In “The Voodoo Man” Death is not so easy to cheat, and “The Symphony of
Abaddon” puts souls on the menu as the devil grooms we poor mortals for a place
in his eternal choir.
Lurking
between the poems and stories are recipes from around the world for genuine
dishes with one common ingredient: animal blood. In context of the book, these
recipes read like something found on the menu for Mrs Lovett’s pie shop. Not
only will they repulse you, but also leave you strangely hungry for what’s on
offer. The most gruesome dish is perhaps Tiét Canh, or Raw Blood Soup, which is made with the life
juice of ducks or geese. Diners are warned that eating Tiét Canh runs the risk of
contracting the H5N1
bird flu virus, which, frankly, seems the least of their worries.
An
anthology so inspired by food demands the appearance of vampires somewhere
along the line, and Irvine doesn’t disappoint with the likes of “You know
you’re a writer when . . .” and “Hollywood”. Nor, indeed, could the absence of
cannibals be excused, and here we’re treated tales like “Undead” and “Five”.
And to provide a little light in the darkness, Irvine scatters a few jokes here
and there such as: Zero gravity love: coming is mainly going; and: My
alien penis: one is apparently too many.
My
favourite piece of the collection is “The Sailor”, which is also accompanied by
my favourite piece of artwork, courtesy of Marge Simon. “The Sailor” is a
chilly account of a passenger waiting to be taken across the river Styx.
Unfortunately for this passenger, Charon might just be hungry for more than the
coin in his hand. The poem carries a sense of menace throughout, and the
imagery suggests there is more here than what the eye can see and the ear can
hear:
His
ship glides
effortlessly,
casting no bow wave,
making no sound,
touching gently
upon the shore where
a passenger waits.
effortlessly,
casting no bow wave,
making no sound,
touching gently
upon the shore where
a passenger waits.
All in all, Blood Curry is a book that’s out to
have fun, to disturb, to entertain and intrigue. The provocative and thoughtful
artwork of Tony
Karnes, Laura Givens, Jeff Beckman, Cathy Edmunds, Marge Simon, Stella
Danelius and Dave Freeman, does a grand job of rubber stamping the imagery
induced by the words. And with a final note on our wordsmith, a man who hopes
to die peacefully one day without warning and with minimal leakage, John Irvine is certainly
an author you want to find on your bookshelf, but most definitely not in your
kitchen.
EdwardCox
for Star*Line magazine
for Star*Line magazine
**
Blood
Curry
John Irvine
John Irvine
Ever wanted to find out exactly how many different
dishes in the world are made with the use of blood all while reading a wide
range of short stories and poetry? Then Blood Curry is the book for you.
I have to say, I’ve never seen a set of human
cooking recipes that I found so delightful.
I’ve read The Superior Guide to
Italian Cooking, not impressed, Everything
You Ever Needed to Know about Asian Cuisine, wasn’t interested personally,
I even read the horrible set of Biggest
Loser cookbooks they came out with, all I can say about those overly sappy
books is that if I wanted to hear so many f***ing sob stories I’d pick up a
book on celebrity apologizes. The one
and only cookbook I’ve ever been able to agree with was 986 Ways to Eat a Human; it wasn’t nearly as popular as its predecessor,
40 Ways to Cook a Human but I’ve
never really enjoyed cooking people with my undead tastes aiming more towards
the raw side of human flesh. I guess I
can’t really blame all these other human written cookbooks since other than Hannibal
Lector, most people don’t eat other people and with the exception of the
occasional pig, I only eat people.
However, with some of the great recipes author John Irvine presents in Blood Curry I may have to become
reacquainted with human food, at least these blood infused flavors. Enough with the edibles for now, considering
this collection isn’t just about the food I should stop babbling and just get
on with the review.
Blood
Curry is basically broken down into three different parts
(all mixed together throughout the collection): recipes, short stories, and
poems. I’ll go over each one separately.
The first bit is the above mentioned recipes, all of
which contain some kind of blood or another.
Sometimes it’s beef blood, sometimes pork blood, and sometimes rabbit
blood, but sadly none containing human blood, though since I hear human blood
is still illegal in all but two countries I won’t hold it against him. These aren’t made up recipes either; these
are real culinary treats from around the world.
I have to admit at being a little surprised at how many members of the
living from all walks of life consumed bloody delights, some of them even sound
rather tasty. Personally, I find that
impressive, that a meal made with animal blood could peak my interest. Understand there are a few that repulsed me,
making my stomach churn just by reading what they were, meals that I imagine
you’d have to grow up with in order to develop the taste. It was an odd, but intriguing addition to a
collection of short stories and poems and I’m glad these recipes were
included. Besides, odd is always better
than normal.
The second bit would be the short stories, stories
which are impossible to pin down in any one genre, a nod to the talent of John
Irvine. Alien breeders, he’s got it,
time travel gone awry, he’s got it, giant horny Monarch Butterflies, he’s got
it, evil Jesus, yep, he’s got that too. It
could be Science Fiction, Horror, or Speculative Fiction but one thing that is
certain, there’s not a bad story among any of them. They’re twisted, dark, and sometimes even
funny; most of them are also very short, meaning you can get through a few
stories at a time. Don’t take their brevity
to be a complaint; I enjoyed the ability to go through a few stories at a time,
the way each story is such a different class than the last makes for a very
fascinating read. I’ll give you a few
ideas of what you’re going to be reading, and these are only a few amid my
favorites. Fly My to the Moon has a man dealing with alien abduction theories
(I won’t say more), Annabelle of Aries
shows us how off an extraterrestrial species may be in determining the dominant
life on Earth, Dah, dah, dah finds a
piano prodigy full of arrogance ready to be brought down, and Hollywood tells the tale of a vampire
sick of the stereotypes. There are so
many examples to choose from that these are just a drop in the bucket.
The last bit is dedicated to John Irvine’s
distinctive style of poetry. This was
the bit that surprised me the most. I
hate poetry just as much as I hate most art (H.R. Gigar and the students of the
late Stan Winston being exceptions); I take most things too literally to get a
lot out of the symbolic nature art and poetry present. Irvine’s poetry I really dug. There may be a reason for this in my
case. A lot of his poetry comes across
more as mini stories unto themselves, something I could get into. The ones that do have a more symbolic nature
are easily relatable, giving those like me (the ones who see a picture for a
picture) a better chance of understanding what Irvine is trying to present.
Once all of these bits have been put together, the
result is a great read I would not recommend missing out on, and I’m sure
you’ll enjoy the hell of the artwork as well.
Andy
Taylor
The_Undead_Review
The_Undead_Review
Published
By:
Dark Continents Publishing
Written
By:
John Irvine
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